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ÿմվ Bands History

History of the Band Department at the University of Central Arkansas

Compiled by Dr. Derek Stoughton
Associate Director of Bands, University of Central Arkansas

For more than a century, the University of Central Arkansas band program has served as a musical ambassador for the university, supporting athletic events, ceremonial occasions, and concert performances while educating generations of musicians and music educators. From the first documented “Normal Band” in 1915 to nationally recognized performances in the twenty-first century, the history of ÿմվ Bands reflects the growth and evolution of the university itself.

Throughout its history, the ÿմվ Band program has served multiple roles within the university community. In addition to supporting athletic events and campus traditions, ÿմվ Bands have provided educational opportunities for future music educators, performers, and leaders while representing the university across Arkansas and throughout the nation.


Early Beginnings (1907–1920s)

The University of Central Arkansas, originally known as Arkansas State Normal School, was founded in 1907 to train teachers. The earliest known band on campus, called “The Normal Band,” appeared in the 1915 yearbook. Uniquely inclusive for its time, the ensemble included women from the beginning. John T. Buchholz served as the first documented band director, succeeded in 1919 by Homer F. Hess.

Under Hess, the band introduced a new educational component—training students to direct school bands, a response to increasing statewide demand. Despite challenges in maintaining membership and consistency during this era, the band and an associated orchestra grew in both talent and visibility.

Growth and Reorganization (1920s–1930s)

By the 1920s, the school’s name changed to Arkansas State Teachers College (ASTC), and instrumental music activities focused primarily on the orchestra. The band reemerged in the 1931 Scroll yearbook and began performing regularly at football games and campus events.

The baton passed through several directors during this time, including J.D. Henley and a returning Homer Hess. The band expanded its presence with concerts, away-game performances, and the formation of a dance orchestra known as the “Tophatters.”

World War II and the Post-War Era (1940s)

The 1940s brought both disruption and resilience. Leadership frequently changed due to wartime mobilization, with figures like John L. Adams, Paul Cooper, and Homer Hess stepping in as needed. After Pearl Harbor, many male band members left to serve in the military, leading to reduced membership and increased female participation.

Milton Trusler became the long-standing director beginning in 1942. He held the band together during wartime shortages, even recruiting local high school and Hendrix College students to fill gaps in the Tophatters dance band. By war’s end, Trusler helped the band rebuild and expand its reach through regional performances and collaborations.

Trusler’s final year directing the ASTC Band was 1949–50. Under his leadership, the band not only survived the trials of World War II but flourished once again, with membership rebounding and performances resuming full force. Trusler is credited with preserving the band’s legacy during one of the most challenging periods in its history.

1950s – Growth and Transition

During the 1950s, under director Herbert Haskett and later Dr. Victor Hardt, the ASTC Band expanded both in membership and visibility. The band’s presence became a regular part of campus life, with frequent performances at Homecoming parades, pep rallies, and football games. This decade also saw the introduction of majorettes and twirlers, with groups like the “T-Steppers” and later the “Stepperettes” adding a dynamic visual element to the band’s performances.

In 1954, the band welcomed its first African American member, Kenneth Johnson, marking a milestone in the integration of student organizations at ASTC. The college also began hosting the annual State Band Festival, further raising the program’s profile.

1960s–1979 – The Homer Brown Era

A new chapter in the history of the ASTC Band began in 1958 when Homer Brown was appointed Director of Bands. Over the next twenty-one years, Brown would become one of the most influential figures in the program’s history, overseeing significant growth in both the marching and concert band programs.

During the 1960s and 1970s, Brown led the band through a period of expanding visibility and achievement. The band performed at presidential and gubernatorial inaugural parades, grew in membership, and developed a reputation for excellence throughout Arkansas. The addition of organizations such as the T-Steppers and Stepperettes enhanced the visual component of performances, while concert ensembles continued to elevate the department’s musical profile.

The institution itself underwent significant change during Brown’s tenure. Arkansas State Teachers College became the State College of Arkansas in 1967 and the University of Central Arkansas in 1975. Through these transitions, Brown’s leadership helped establish traditions that would shape the program for generations. His students, affectionately known as “Homer’s Heroes,” carried his influence far beyond their years at ÿմվ.

Following more than two decades of service, Homer Brown retired in 1979, leaving behind a program that had become a source of pride for the university and the state. By the time of his retirement, Brown had established a foundation of excellence that would support continued growth for decades to come.

1979–1995 – The Russell Langston Years

Upon Brown’s retirement, Russell Langston was appointed Director of Bands in 1979. Building upon the strong foundation established by his predecessor, Langston guided the ÿմվ Bands through a period of modernization and continued growth.

Under his leadership, the Marching Bears regularly exceeded 130 members and expanded their use of contemporary drill design, enhanced visual presentations, and increasingly sophisticated halftime productions. The Symphonic Wind Ensemble, Jazz Ensemble, and other concert groups flourished during this era, contributing to the band’s growing reputation for musical excellence.

Under Langston’s direction, the ÿմվ Bands received widespread recognition for their musical achievements. Their concert ensemble was selected as the Honor Band for the Arkansas Music Educators Association on four separate occasions, and also performed as an Honor Band at the 1988 Southwest District Convention of the College Band Directors National Association (CBDNA).

The program also benefited from technological advances, including the adoption of computer-assisted drill writing in the late 1980s. By the early 1990s, the Marching Bears had become one of the university’s most visible student organizations, known for their dedication, precision, and school spirit.

After sixteen years as Director of Bands, Russell Langston retired in 1995, concluding another important chapter in the history of ÿմվ Bands.

1995–2021 – The Ricky Brooks Era

In 1995, Dr. Ricky Brooks was appointed Director of Bands, beginning a transformative tenure that would span more than twenty-five years. Under his leadership, the ÿմվ Bands achieved new levels of artistic excellence and national recognition. During this era, the concert band program continued to develop into what would eventually become the nationally recognized ÿմվ Wind Ensemble.

The Marching Bear Band continued to grow in size and visibility, while the Wind Ensemble established itself as one of the premier collegiate ensembles in the region. The band participated in numerous high-profile performances, including President Bill Clinton’s 1996 reelection celebration, and adopted the tagline “The Sound of Central Arkansas.”

The program’s reputation continued to rise during the 2000s and 2010s. Under Brooks’ leadership, the ÿմվ Wind Ensemble expanded its national and international presence through a series of prestigious performances. In 2002, the ensemble performed at Carnegie Hall in New York City and at the United States Capitol in Washington, D.C. Six years later, the Wind Ensemble traveled to Austria, presenting concerts in both Salzburg and Vienna while serving as musical ambassadors for the university abroad. The Wind Ensemble returned to Carnegie Hall 10 years later, in 2012.

In 2006, the university hired Steve Smyth as the first Associate Director of Bands in ÿմվ history, reflecting the program’s continued growth. Smyth was succeeded by Brantley Douglas in 2011, who helped lead the marching and athletic band programs for more than a decade.

In 2014, the ÿմվ Band program celebrated its centennial year with a series of special events and performances. As part of the celebration, the ÿմվ Wind Ensemble commissioned and premiered Crossover by internationally recognized composer David Gillingham, honoring a century of band tradition at the university.

The ÿմվ Wind Ensemble earned an invitation to perform at the Southwest Division CBDNA Conference in 2020 at the University of Oklahoma. This invitation represented one of the highest honors in collegiate band performance and affirmed the ensemble’s standing among the finest wind bands in the region.

In 2021, Dr. Ricky Brooks retired after more than four decades of service to the University of Central Arkansas. During his remarkable tenure as Director of Bands, the program experienced tremendous growth, expanded its national reputation, and influenced generations of musicians and music educators. His leadership helped shape the modern identity of the ÿմվ Bands and left an enduring legacy of excellence.

2021–2024 – A New Era of Excellence

The 2020s have brought a period of significant transition and continued achievement for ÿմվ Bands.

Following Brooks’s retirement, Dr. Michael Hancock was appointed Director of Bands in 2021. Building upon the strong foundation established by his predecessors, Hancock guided the program through a period of continued artistic achievement and national recognition.

Another leadership transition occurred in 2023 when Brantley Douglas retired after more than a decade of service to ÿմվ. That same year, Dr. Derek Stoughton joined the faculty as Associate Director of Bands, continuing the tradition of student-centered excellence while providing leadership for the marching and athletic band programs.

The ÿմվ Wind Ensemble’s national profile continued to rise when it was selected to perform at the 2024 Southwest Division CBDNA Conference in Kansas City, Missouri. The invitation further established the ensemble as one of the region’s premier collegiate wind bands and marked the program’s second performance at a CBDNA regional conference in five years.

2025 and Beyond – Continuing the Legacy

In 2025, Dr. Dominic Talanca was appointed Director of Bands, becoming the next steward of the program’s rich tradition. Under his leadership, the ÿմվ Band program entered a new chapter while maintaining the values of excellence, innovation, and service that have defined the organization for more than a century.

The program reached another historic milestone when the ÿմվ Wind Ensemble was selected to perform at the 2027 CBDNA National Conference at the University of Maryland. As one of the highest honors available to a collegiate wind ensemble, the invitation reflected the continued growth and national prominence of the ÿմվ Band program.


Directors of Bands:

  • John T. Buchholz (1915–1916)
  • Homer F. Hess (1919–1935)
  • J.D. Henley (1935–1937)
  • Homer F. Hess (1937–1938)
  • J.H. Branchcomb (1938–1939)
  • John L. Adams (1939–1940)
  • Paul Cooper (1940–1941)
  • Andrew Mikita (1941–1942)
  • Milton Trusler (1942–1950)
  • Herbert Haskett (1950–1956)
  • Victor Hardt (1956–1958)
  • Homer Brown (1958–1979)
  • Russell Langston (1979–1995)
  • Ricky Brooks (1995–2021)
  • Michael Hancock (2021–2025)
  • Dominic Talanca (2025–Present)

 

Associate Directors of Bands:

  • Steve Smyth (2006–2011)
  • Brantley Douglas (2011–2023)
  • Derek Stoughton (2023–Present)

 


A Legacy More Than a Century in the Making

More than a century after the first “Normal Band” performed on the campus of Arkansas State Normal School, the ÿմվ Bands continue to build upon a tradition of excellence, serving as musical ambassadors for the university while preparing future performers, educators, and leaders.

Historical Note

This historical overview was compiled from multiple sources, including  by T. T. Tyler Thompson, A Century of Music by Jimmy Bryant, original research conducted by Dr. Derek Stoughton, and an oral history interview with Dr. Ricky Brooks, Director of Bands Emeritus at the University of Central Arkansas.